About

My work explores themes of femininity and identity through Floriography. Flowers are typically seen as one of art history’s clichés to embody a traditional Victorian definition of femininity. My use of flowers reclaims this sexually passive symbol and uses them as an expression of feminism. Flowers are representative of women but not simply because of their anticipated characteristics of beauty and frailty; flowers symbolize women in my work because of their intricacy and pursuit of growth. 

Wallpapers, specifically floral wallpapers, are most commonly regarded as feminine. Wallpaper, which is used as interior decoration, follows a repetitive pattern to which it is constrained. Like wallpapers, women are expected to follow certain “patterns” and behaviours. Upon painting a female figure alongside a floral wallpaper, one can see the strong connection between the female body and the notion of invisible constraints. Like flowers, which will only thrive in the proper conditions, women have accepted these limitations for survival.

My work depicts a strong narrative that confronts sexism. I take back flowers, which were once a symbol of sexual passiveness, and allow their history to address gender inequalities. I am not simply a female artist painting flowers; flowers are my symbol of feminism.